Showa period, 1960s–1970s
Japanese Vintage “Goshoguruma” Teacup, 55 ml
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Sign inAn incredibly striking and unique find that harks back to the Kutani ware (Kutani-yaki) tradition, presented in a classic, historical aesthetic. It dates to the second half of the 20th century (Showa period, circa 1960s–1970s).
The cup depicts a classic imperial carriage—Goshoguruma (御所車). This exquisite, traditional carriage was used by court nobles during the Heian period (9th–12th centuries). Beside the carriage, set against a backdrop of blooming ume (plum blossoms), are two figures dressed in traditional aristocratic attire of that era.
The artwork is rendered with colored enamels complemented by gilded outlines, a hallmark of the Kutani style. The background glaze is equally noteworthy: creamy-white and covered with a dense, pronounced web of intentional crackle glaze (kannyo/crazing), crafted to impart a noble antique charm to the piece.
The base of the cup features the familiar maker's mark hand-painted in red over the crackled surface: 九谷 (Kutani). The brushwork is classic and clear, executed in the fine traditions of artisan workshops from Ishikawa Prefecture.
The walls are fairly thick.
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Description
An incredibly striking and unique find that harks back to the Kutani ware (Kutani-yaki) tradition, presented in a classic, historical aesthetic. It dates to the second half of the 20th century (Showa period, circa 1960s–1970s).
The cup depicts a classic imperial carriage—Goshoguruma (御所車). This exquisite, traditional carriage was used by court nobles during the Heian period (9th–12th centuries). Beside the carriage, set against a backdrop of blooming ume (plum blossoms), are two figures dressed in traditional aristocratic attire of that era.
The artwork is rendered with colored enamels complemented by gilded outlines, a hallmark of the Kutani style. The background glaze is equally noteworthy: creamy-white and covered with a dense, pronounced web of intentional crackle glaze (kannyo/crazing), crafted to impart a noble antique charm to the piece.
The base of the cup features the familiar maker's mark hand-painted in red over the crackled surface: 九谷 (Kutani). The brushwork is classic and clear, executed in the fine traditions of artisan workshops from Ishikawa Prefecture.
The walls are fairly thick.